audio-sound @ hatena

An audio review & news blog. The volume should not exceed 80 dB is recommended. I usually adhere to the safe-listening style by WHO. Please note that my aural impressions and interpretations of measurements are also made from a safe-listening style.

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(Monitor Headphones Review) SONY MDR-MV1: Spatial expression monitors that emphasize localization in accordance with the era of stereophonic sound

audio-technica ATH-M20x

audio-technica ATH-M20x

 

Disclaimer

  • This review is written based on a "private purchase" or "product rented for a price".
  • No remuneration or compensation, such as a manuscript fee, has been received for publishing this, and it is an honest evaluation based on measurement data from personal testing and personal opinion.
  • Please read the privacy policy of this website.

 

  • People who value localization
  • SONY Fan

 

audio-sound Score

  • Total Score: 8.4 / 10.0
  • Package: 7.0 / 10.0
  • Build quality: 8.5 / 10.0
  • Fitment: 8.5 / 10.0
  • High range: 9.5 / 10.0
  • Mid range: 8.0 / 10.0
  • Low range: 8.0 / 10.0
  • Less distortion: 9.0 / 10.0

 

  • Want to see the score ranking? Click here!

 

Overview of SONY MDR-MV1

This review will give an overview of SONY MDR-MV1. A complete review of this product can be found here.

 

Basic Specifications
  • Frequency range: 5Hz-80000Hz
  • Impedance: 24Ω
  • Sensitivity: 100dB/mW

 

Features

SONY MDR-MV1

 

Rear open acoustic structure that reproduces accurate spatial information imparted to the sound source

When a stereophonic sound source is reproduced by headphones, the reflected sound information given to the sound source, which is generated in the space, is processed in consideration of the head transfer function to reproduce a virtual stereophonic sound field.


By adopting a rear open acoustic structure that does not acoustically block the housing, the reflected sound inside the headphones is reduced, enabling more accurate reproduction of the sound field. In addition, spatial resonance is eliminated by using the largest possible area of acoustic registers to optimally control airflow between the front and back of the driver unit. Natural and full bass frequency reproduction with less coloration is achieved.

 

 

 

Package

It comes in an eco-friendly paper package. Because of the price, a carrying case is usually included in this price range, no matter how professional the equipment is.

 

Package contents
  • SONY MDR-MV1
  • 6.35 to 3.5mm adapter
  • Manual

 

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

 

 

Build Quality

Build quality meets the price level.

 

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

 

Fit

The fit is good. The main unit is fairly lightweight.

 

SONY MDR-MV1

SONY MDR-MV1
SONY MDR-MV1

 

 

Sound quality

audio status

SONY MDR-MV1のオーディオステータス

 

Sound quality description

The following review was tested with a FiiO M15.

 

The SONY MDR-MV1 has a near-neutral sound signature.

 

Please see here for detailed reviews on sound quality.

 

SONY MDR-MV1

 

Lows / Bass

Despite being open, the Sony MDR-MV1's low frequencies have a good sense of range, and the bass extends quite deep, even with, or in some cases better than, typical sealed headphones.

 

Bass drum thickness and weight are not bad. Depth is not bad either, but rumble is weak.

 

The electric bass lacks a bit of blackness, and the tightness is a bit loose, sounding a bit bright and with a harsh edge.

 

Overall, the tightness is a bit poor, so it is not expected to satisfy bass lovers, but if you like a warmer sound, it is not bad.

 

SONY MDR-MV1

 

Mids

The midrange of the SONY MDR-MV1 is backward leaning, emphasizing staging, and has a structure with a sense of depth.

 

A clear drawback to using the MDR-MV1 as a monitor headphone is the lack of midrange accuracy. The midrange is generally soft and poor at reproducing contours, and fails to provide the level of build that one would expect monitor headphones to generally provide. This is basically a bad adjustment, as it acts in a negative direction in terms of reproducing the accuracy of the three-dimensionality of the center of the music.

 

The balance between vocals and instruments is clearly a bit poor, with the guitars sounding distant and the vocals feeling a bit isolated in the foreground, creating a sense of surround sound with the instruments surrounding the vocals.

 

These adjustments are distinctly listening-oriented and immersive, as opposed to the neutrality and accuracy of traditional monitor headphones which are what we call "unseasoned" sound.

 

The left and right sides sound a little wider and roomier, which is comfortable, and the panning effect seems easy to understand, but the midrange itself is a little cramped and difficult to understand, and the three-dimensionality of the sound in the midrange itself is a little less clear.

 

Whether this kind of adjustment is a good thing or not depends on whether or not you see the benefit in the pseudo-3D effect that this gives. At least in the basic stage of music production, many people may prefer to listen to sounds more neutrally and without any flavor, so they may prefer to use SHURE headphones, which excel in reproducing the mid-range. If you are looking for accurate tones of instrumental sounds or accurate representation of vocal material, the MDR-MV1 is a little less reliable for such applications.

 

Resolution and transparency are fairly standard for a monitor.

 

SONY MDR-MV1

 

Highs / Treble

SONY MDR-MV1's high-frequency adjustment is very close to neutral, and localization and detail are expected to be very accurate, amply demonstrating SONY's confidence in its spatial reproduction capabilities.

 

Violins and woodwinds are well extended, and cymbal crash spread is satisfactory. Despite a slight three-dimensional emphasis, the consistency of the sound image is relatively high, and the overtone ambience of the strings is quite natural. However, the effect of the lack of contouring is somewhat significant, and in classical music, the lack of power in the violin sound and the difficulty in hearing the core of the upstanding sound probably hampers the composition of the piece somewhat.

 

However, this kind of adjustment that suppresses the sense of contour is a feature common to monitor headphones from leading Japanese audio brands such as the YAMAHA HPH-MT8 and the JVC HA-MX100V. Therefore, users who normally use these headphones as monitors will find this adjustment easy to get used to.

www.audio-sound-premium.com

www.ear-phone-review.com

 

If contouring is important, using a pair of monitor headphones such as the Classic Pro CPH7000 or SHURE SRH940 will allow you to hear the midrange clearly and compensate for the MDR-MV1's weaknesses.

blog.ear-phone-review.com

blog.ear-phone-review.com

 

SONY MDR-MV1

 

Sound quality general comment
  • Original Sound Fidelity: A+
  • Recommendation: A+
  • Personal preference: A

 

The SONY MDR-MV1 is a monitor headphone with an excellent sense of localization, in line with SONY's claim that it is focused on spatial expression capability. When used as studio monitors, the MDR-MV1's shortcomings include a lack of midrange accuracy, but its overall tuning is still at an excellent overall level for a monitor headphone, and the slightly high price tag is justified. Of course, they are not the most cost-effective headphones.

 

SONY MDR-MV1

 

Sound quality features

Pros
  • Excellent localization
  • Good dynamism
  • Soundstage with a sense of depth
  • Mellow and mellow
  • Sense of envelopment
  • Warm and pleasant to listen to
  • Good range
  • Spacious and well-connected sound image
  • Excellent resolution
  • Excellent transparency

 

Cons
  • Low-frequency depth could use a little more
  • Lack of textural accuracy
  • Lack of structure
  • Lack of contouring
  • Price is somewhat too high for the sound performance

 

 

General comment

The SONY MDR-MV1 is a monitor headphone designed by SONY with a particular focus on spatial expression capability, and it excels in localization and detail reproduction. the sound is clearly distinct from the previous generation of monitor headphones such as the SONY MDR-M1ST, and is a clear departure from SONY's professional It is reminiscent of the arrival of a new era of monitors. However, the pricing is too high at any cost, and a replacement model for the MDR-M1ST that mass-produces the sound of the MDR-MV1 at a more appropriate price is called for.

 

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

 
 
 
 

SONY MDR-MV1: A new generation standard studio monitor proposed by SONY for the stereophonic era

SONY MDR-MV1

SONY MDR-MV1

 

SONY MDR-MV1, a reference monitor that opens up "a new frontier in music production"

SONY's monitor headphones have been widely supported in the field of music production in Japan.

 

The MDR-MV1, the latest addition to the lineup, is an ambitious new model that offers new value while maintaining the essence of monitor headphones that accurately reproduce sound.

 

By maximizing the performance of the new "360 Virtual Mixing Environment" technology, which reproduces the same acoustic environment as a production studio with headphones, the MDR-MV1 is said to be designed to contribute to a wide range of music production sites, from stereophonic sound source production to stereo sound source production. The "360 Virtual Mixing Environment" is a new technology that will allow SONY to reproduce the environment of a headphone.

 

This new generation studio monitor is a must-see for all artists and music fans, and is the culmination of SONY's technology and passion!

 

 

 

What are monitor headphones?

If general headphones are for listeners to enjoy finished music, "monitor headphones" are for creators to check (monitor) the sound in the creation of music and other contents. In addition to checking how the completed content reaches the listener, the headphones are used to check whether the sound source was accurately recorded and whether the effects added to the sound source were accurately reflected.

 

 

Why MDR-MV1 Now: Background

The MDR-MV1 was developed as a monitor headphone for creators to set a new standard amidst the demand for evolution of the production environment and recording equipment that accompanies the spread of stereophonic sound.

 

While object-based stereophonic audio formats such as 360 Reality Audio are spreading, the MDR-MV1 can reproduce the same sound field as speakers with headphones by using a combination of Sony's proprietary technology called 360VME.

 

This technology allows the sound creation that is done in a studio acoustic space to be done in headphones in the comfort of your own home.

 

With the global pandemic, music production environments are becoming more diverse, and production methods are expanding to include options that are not limited to traditional methods.

 

SONY was quick to integrate studio monitor headphones optimized for the latest in stereophonic sound with a system that can accurately emulate a studio environment, in an effort to create a new production environment that gives anyone access to a sound system equivalent to that of a sophisticated studio.

 

www.youtube.com

 

At the core of the system is the MDR-MV1, a revolutionary monitor headphone that will allow SONY to raise the bar in music production to a new level.

 

 

Eco-friendly packaging

The MDR-MV1's package is made of paper, and the packaging material seems to be made of environmentally friendly materials.

 

Most packaging for professional equipment is simple, so the MDR-MV1's packaging is not particularly lacking in quality, but some may find it too simple for the price compared to consumer model pa

 

SONY is making a company-wide effort to promote the use of environmentally friendly audio packaging with the aim of achieving a sustainable society.

 

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

 

Sound

I have confirmed that the frequency response has been published on several prior sites. Since they are almost the same as my measurements, let's take a look at the frequency response published in those prior sites.

 

https://squig.link/headphones/?share=Super_OE_Target,Sony_MDR-MV1

https://squig.link/headphones/?share=Super_OE_Target,Sony_MDR-MV1

 

SONY claims that the MDR-MV1 has excellent spatial representation capability.

 

At least as far as frequency response is concerned, SONY's claim is correct, indicating that the high frequency range has been tuned for very accurate localization and detail reproduction at the proper volume.

 

 

On the other hand, the midrange emphasizes staging, with vocals in the foreground and instrumental sounds surrounding them, creating a sense of depth that is interesting but at the expense of some accurate three-dimensionality and textural expression.

 

This kind of adjustment tends to give stereo recordings a little more surround sound and a more immersive experience, and it may be that the MDR-MV1, which claims to be designed for stereophonic sound, has decided that this kind of seasoning is good for the sound of stereo recordings for playback.

 

Traditional studio monitors often aim to achieve a particularly accurate texture expression in the mid-range, and it is common practice to weight instruments and vocals equally.

 

On the other hand, SONY also emphasized vocals in the MDR-M1ST, so these adjustments may be based on SONY's sound philosophy.

 

Some audiophiles I know have argued that it is more natural to bring the vocals forward on stereo recordings, and in fact, some people probably find it easier to work with vocals up front. This kind of thinking in itself is not uncommon.

 

 

In my personal opinion, unnatural differences in what the original stereo recordings are equally weighted will adversely affect the accurate perception of the three-dimensionality of the original music. It is true that I myself find the sound of the MDR-MV1 to be cramped. Since we do not know what kind of playback environment a song will be played back in, it is better for a monitor headphone to be neutral in an effort to be useful as a tool. However, this is a matter of perspective.

 

SONY also claims to have achieved excellent low-frequency response comparable to that of closed headphones, even though they are open-type headphones, and this is almost entirely true in terms of frequency response. At the very least, the low-frequency response is superior to that of the MDR-M1ST.

 

SONY MDR-MV1 Sound Summary
  • Excellent localization
  • Surround-sounding midrange
  • Excellent low-frequency response on par with closed-back models

 

 

Review

 

Conclusion

The MDR-MV1 is an ambitious new model that proposes new values while maintaining the essence of monitor headphones that accurately reproduce sound. By maximizing the performance of the new "360 Virtual Mixing Environment" technology, which reproduces the same acoustic environment as a production studio with headphones, the MDR-MV1 aims to contribute to a wide range of music production sites, from stereophonic sound source production to stereo sound source production. The packaging also embodies SONY's philosophy of sustainable audio by using environmentally friendly materials.

 

If you want to know where SONY's standards are today, I recommend that you pick up and listen to these headphones when you see them in stores; they are the culmination of SONY's past and future monitor headphones.

 

At least to me, it is clear that the developers set a clear goal and worked hard to create the sound to achieve it. There is no doubt that this sound is filled with the passion of the people who developed these headphones.

 

I feel that this is probably one of the most talked about headphones of the year.

 

SONY MDR-MV1

SONY MDR-MV1

SONY MDR-MV1

 
 
 
 

【True Wireless earbuds review】SONY WF-XB700: It outputs a well-balanced song without breaking it, and emphasizes the low range so that you can hear it well. Good compatibility with EDM

SONY WF-XB700

SONY WF-XB700

Sony WF-XB700 Extra BASS True Wireless Earbuds Headset/Headphones with mic for Phone Call Bluetooth Technology, Blue, Model: WFXB700/L

 

 

This article is a translation of the following Japanese article.

www.ear-phone-review.com

 

The model to be covered this time is the SONY WF-XB700. I think it's impossible to explain about SONY anymore, but it is one of the top audio brands representing Japan or the world, and it is a prestigious audio company that continues to deliver extremely high-quality audio products to the world.

 

The Sony WF-XB700 is a deep bass model that Sony has proudly launched into the world.

 

 Sony WF-XB700

Basic specifications

  • Continuous / maximum playback time: 9h / 18h
  • Waterproof performance: IPX4
  • Supporting codec: AAC / SBC

 

 

Unboxing

The overall design of the earphone package is fairly standard at the SONY package at this price range. Accessories are ear tips, charging case, charging cable (Type-C), and instructions.

 

The earphone case has a slightly plastic feel and emphasizes sportyness and casualness, but the transparent part is processed like frosted glass, and it is rather elaborate. Rather, it is a rather stylish design that disguises itself as a cheap feeling.

 

SONY WF-XB700

SONY WF-XB700

SONY WF-XB700

SONY WF-XB700

 

Fit

The fit is very good. At first glance, you might think that it has a weird-shaped weird shape, but because the nozzle area is well made, it does not come into a weird position even if you fit it loosely, and you can easily realize a solid wearing feeling.

SONY WF-XB700

SONY WF-XB700

SONY WF-XB700

 

Connectivity

Quite excellent in the price range. I don't know well because I haven't been to a crowded place, but it's good at home. It also has excellent distance resistance, and it is seamless and undisturbed even at a distance of 5m. Even if there is a shield, it will connect without problems.

 

I think there is almost no white noise.

 

SONY WF-XB700

 

Sound quality

Measuring equipment

  • SAMURA HATS Type3500RHR System: HEAD & TORSO, left and right S-Type ear model (Type4565 / 4566: IEC60268-7 compliant)
  • AWA type 6162 711 ear simulator
  • Microphone preamplifier: Type4053
  • Type5050 microphone amplifier power supply
  • Audio interface: ROLAND Rubix 24
  • Analyzer software: TypeDSSF3-L

*Due to the response of the ear simulator, the reliability below 20hz and above 16khz is not high.

www.phileweb.com

 

Frequency response

In order,

  1. [AET07 M attached] Separate left and right
  2. [AET07 M attached] Average left and right
  3. [AET07 M attached] Separate left and right (free sound field corrected)
  4. [AET07 M attached] Left-right average (free sound field corrected)
  5. [Standard eartip M attached] Separate left and right
  6. [Standard eartip M attached] Average left and right
  7. [Standard eartip M attached] Separate left and right (free sound field corrected)
  8. [Standard eartip M attached] Left-right average (free sound field corrected)
  9. Comparison (free sound field corrected)
  10. Comparison (free sound field corrected/2khz-24khz)

* "AET 07 M size" is the reference eartip for measurement of this blog. All other eartips are standard with this earphone package unless otherwise noted.

 

SONY WF-XB700

SONY WF-XB700

SONY WF-XB700

SONY WF-XB700

SONY WF-XB700

SONY WF-XB700

SONY WF-XB700

SONY WF-XB700

SONY WF-XB700

SONY WF-XB700

 

First of all, it's not clear why my earphones have explicit left-right differences in the deep low end. I repeatedly considered the possibility of measurement failure and changed the measurement location in consideration of the feeling of wearing and the possibility of environmental noise unique to the location, but this left-right difference does not disappear. The reason for its occurrence is a mystery and it is mysterious at the moment, but I will post it as it is.

 

The package of this earphone says "Achieves overwhelmingly heavy bass and clear vocals", but as you can see, the sound design is rather straightforward and aims to achieve that claim. It can be imagined that the bass and vocal range are emphasized, and the mid and high range has a rather natural luster, and the high range is somewhat flashy. The balance is close to flat, except for the explicit ridges in the deep bass, and it seems that the pitch is adjusted very carefully so that the deep bass does not affect the natural feeling in the midrange. It's a typical warm sound.

hifigo.com

 

Those who bought this earphone thinking it was a rugged heavy bass model may be surprised that the sound field is relatively bright. Frankly speaking, the midrange is fairly rich to make the vocals look nice, without the cramps typical of low-end models, and vocals sound really clear and close to natural. There is not much dry feeling that is often found in V-shaped, the mid and high frequencies are quite lively, the coloring in the high frequencies is not bad, and the high hat splashes that disturb the vocals do not become annoying, so we can convinced by the phrase "clear vocal".

 

The problem is the "overwhelmingly heavy low range", which is actually emphasized in the deep part, but because of the acoustic design considering the mid range, the presence of the low range is Not noticeable. Therefore, it is true that the heavy bass sounds are brought out when you listen to rock music with heavy low frequencies, but the low frequencies do not have a significant presence in general songs. The people who usually listen to the rugged low frequencies and the bristle bass sounds, the more they would like to ask, "Where is this suitable for heavy bass model?" Rather, many people may feel that it is a tight low range rather than a thick sound that the word “quantity” can imagine.

 

That's why I'm not used to low-frequency models, it's nice to hear with an interest what a normal listener is like, but a person who is a low-range junky may make an unsatisfied sound. Also, I think it's a pretty good earphone for listeners who enjoy the heavy low-range and mid-range transparency in deep places like EDM.

 

SONY WF-XB700

 

Recording signature

Please refer to the following for the basic principles of recording signatures and how to enjoy them.

www.ear-phone-review.com

 

The recording signature is posted for advisory. Free sound field adjustment is added. The source is FiiO M15 and the codec setting is AAC. The eartips used are the "Standard silicon M size".

blog.ear-phone-review.com

 

The music used in the recording signature is from the game maker Nippon Falcom, which I love.

www.falcom.co.jp

 

JAZZ

anchor.fm

 

OST

anchor.fm

 

Classical

anchor.fm

 

Rock

anchor.fm

 

 

Final verdict

Comprehensive evaluation: ★★★★

We recommend it as a low-end model introductory machine. While maintaining the natural midrange atmosphere with a high vocal focus, the presence of the deep low range is added, the usual music is a little deep, warm and warm, and it is adjusted so that it sounds crisp. Well, it's for everyone. In addition, the tight, stylish deep low range and the clear midrange of electronic sound are good with EDM. However, if you listen to it as a heavy low range model and expect a rugged low range, it is basically a tight and elegant low range, so you will feel that it is too elegant. In fact, I wanted to hear more funky bass.

 

The quality is high as a whole, the specifications and communication quality are sufficient, and it is an excellent earphone in this price range.

 

SONY WF-XB700

SONY WF-XB700

Sony WF-XB700 Extra BASS True Wireless Earbuds Headset/Headphones with mic for Phone Call Bluetooth Technology, Blue, Model: WFXB700/L

 

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